“Times they are(‘nt)
changing…”
A film by Leonore Wijsmuller for and about Robbert Wijsmuller
“Two days
before my father passed away he tells me he feels lonely and humiliated;
somebody who’s achieved so much doesn’t deserve to leave
behind such a legacy.” (Leonore Wijsmuller)
Film distributor Robbert Wijsmuller’s lifestory is remarkable:
Robbert Wijsmuller was “larger-than-life...inspiring”
(Carie Wijsmuller-Heerema, Jasper and Joris Peterich’s obituary in
NRC Handelsblad September 10th 2001).
Concorde Film
Dear daddy, you had such passion for film, for life. Both had to be
stately and raucous. You’d comment: “A movie is only that
when displayed on a big screen, with great imagery, great sound, great
seats; without a break.” (Speech by Roderick Wijsmuller, son
of, during the funeral.)
For years, Robbert
Wijsmuller was the largest independent film distributor in The
Netherlands. Like a tyrant he ran his company, Concorde Film, releasing
the largest independently produced American movies like Amadeus, The
Last Emperor, Dirty Dancing and Pulp Fiction in The
Netherlands. This mainly came about due to his unique business style and
his ability to spot excellence at an early stage.
Despite the fact that he lavishly treated people at festivals (varying
from champagne and spaghetti to blini’s and meatballs) hardly
anybody knew that he owed millions to various companies.
The industry was aware of the rumours. Yet, every year, he somehow
managed to produce another hit and keep the creditors at bay.
Eventually, in an unfashionable Dutch way, he manages to lose it all;
everything he’s built up goes up in smoke. This includes his private
assets. To this day the bankruptcy has not been totally resolved.
Robbert Wijsmuller
Film distributor Robbert Wijsmuller, who passed away last Sunday, was
a wonder –posh yet exuberant. Vividly he’d tell you how his
mother would be beaten in front of his eyes in the Japanese internment
camps during WWII: “Naughty girl!” He loved to
imbibe—in murderous tempo he’d slam down hard liquor, making
some of his best deals simply by out-drinking his competitors; he loved
expensive food, he loved to show up in Cannes driving his Rolls and he was
never to shy to point out his vinyards to the press whilst flying over
them in a plane. And yet Wijsmuller wasn’t a snob. (Theo van
Gogh, Filmkrant, September 2001)
The film
“It’s only a failure when you give up; message to
pessimists and over-achievers.”.
(written on notepad found at RW's last address.)
Many people have come
forth supplying material, interviews and information. Since March 29th,
2005 a Commanditary Partnership has been set-up under the name
“RW-film.” Both funds and independents are invited to
participate in this project. Naturally, they will share in the profits.
Henny Vrienten is
participating: he’s composing the soundtrack.
The premiere is
scheduled on September 4th 2006, invitees only (tuxedo required).
The Dutch Film Festival has offered to host the premiere where the
documentary will have it’s first public viewing. AVE Concorde BV
will release the movie.
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